The Roots of Indian Religion
The Vedas and Polytheism
Hinduism in India traces its source to the Vedas, ancient hymns composed and
recited in Punjab as early as 1500 B.C. Three main collections of the Vedas--the
Rig, Sama, and Yajur--consist of chants that were originally recited by priests
while offering plant and animal sacrifices in sacred fires. A fourth collection,
the Atharva Veda, contains a number of formulas for requirements as varied as
medical cures and love magic. The majority of modern Hindus revere these hymns
as sacred sounds passed down to humanity from the greatest antiquity and as the
source of Hindu tradition.
The vast majority of Vedic hymns are addressed to a pantheon of deities who
are attracted, generated, and nourished by the offerings into the sacred flames
and the precisely chanted mantras (mystical formulas of invocation) based on the
hymns. Each of these deities may appear to be the supreme god in his or her own
hymns, but some gods stand out as most significant. Indra, god of the firmament
and lord of the weather, is the supreme deity of the Vedas. Indra also is a god
of war who, accompanied by a host of storm gods, uses thunderbolts as weapons to
slay the serpent demon Vritra (the name means storm cloud), thus releasing the
rains for the earth. Agni, the god of fire, accepts the sacrificial offerings
and transmits them to all the gods. Varuna passes judgment, lays down the law,
and protects the cosmic order. Yama, the god of death, sends earthly dwellers
signs of old age, sickness, and approaching mortality as exhortations to lead a
moral life. Surya is the sun god, Chandra the moon god, Vayu the wind god, and
Usha the dawn goddess.
Some of the later hymns of the Rig Veda contain speculations that form the
basis for much of Indian religious and philosophical thought. From one
perspective, the universe originates through the evolution of an impersonal
force manifested as male and female principles. Other hymns describe a personal
creator, Prajapati, the Lord of creatures, from whom came the heavens and the
earth and all the other gods. One hymn describes the universe as emerging from
the sacrifice of a cosmic man (purusha ) who was the source of all
things but who was in turn offered into the fire by gods. Within the Vedic
accounts of the origin of things, there is a tension between visions of the
highest reality as an impersonal force, or as a creator god, or as a group of
gods with different jobs to do in the universe. Much of Hinduism tends to accept
all these visions simultaneously, claiming that they are all valid as different
facets of a single truth, or ranks them as explanations with different levels of
sophistication. It is possible, however, to follow only one of these
explanations, such as believing in a single personal god while rejecting all
others, and still claim to be following the Vedas. In sum, Hinduism does not
exist as a single belief system with one textual explanation of the origin of
the universe or the nature of God, and a wide range of philosophies and
practices can trace their beginnings somewhere in the hymns of the Vedas.
By the sixth century B.C., the Vedic gods were in decline among the people,
and few people care much for Indra, Agni, or Varuna in contemporary India. These
gods might appear as background characters in myths and stories about more
important deities, such as Shiva or Vishnu; in some Hindu temples, there also
are small statues of Vedic deities. Sacrificial fire, which once accompanied
major political activities, such as the crowning of kings or the conquest of
territory, still forms the heart of household rituals for many Hindus, and some
Brahman (see Glossary) families pass down the skill of memorizing the hymns and
make a living as professional reciters of the Vedas (see Domestic Worship, this
ch.). One of the main legacies of Brahmanical sacrifice, seen even among
traditions that later denied its usefulness, was a concentration on precise
ritual actions and a belief in sacred sound as a powerful tool for manifesting
the sacred in daily life.
this content is
derived in part or whole from the
U.S. Library of Congress Country Studies