The Worship of Personal Gods
For the vast majority of Hindus, the most important religious path is
bhakti (devotion) to personal gods. There are a wide variety of gods to
choose from, and although sectarian adherence to particular deities is often
strong, there is a widespread acceptance of choice in the desired god (ishta
devata ) as the most appropriate focus for any particular person.
Most
devotees are therefore polytheists, worshiping all or part of the vast pantheon
of deities, some of whom have come down from Vedic times. In practice, a
worshiper tends to concentrate prayers on one deity or on a small group of
deities with whom there is a close personal relationship.
Puja (worship) of the gods consists of a range of ritual offerings
and prayers typically performed either daily or on special days before an image
of the deity, which may be in the form of a person or a symbol of the sacred
presence. In its more developed forms, puja consists of a series of
ritual stages beginning with personal purification and invocation of the god,
followed by offerings of flowers, food, or other objects such as clothing,
accompanied by fervent prayers. Some dedicated worshipers perform these
ceremonies daily at their home shrines; others travel to one or more temples to
perform puja , alone or with the aid of temple priests who receive
offerings and present these offerings to the gods.
The gifts given to the gods
become sacred through contact with their images or with their shrines, and may
be received and used by worshipers as the grace (prasada ) of the
divine. Sacred ash or saffron powder, for example, is often distributed after
puja and smeared on the foreheads of devotees. In the absence of any of
these ritual objects, however, puja may take the form of a simple
prayer sent toward the image of the divine, and it is common to see people stop
for a moment before roadside shrines to fold their hands and offer short
invocations to the gods.
Since at least the seventh century A.D., the devotional path has spread from
the south throughout India through the literary and musical activities of saints
who have been some of the most important representatives of regional languages
and traditions. The hymns of these saints and their successors, mostly in
vernacular forms, are memorized and performed at all levels of society.
Every
state in India has its own bhakti tradition and poets who are studied
and revered. In Tamil Nadu, groups called Nayanmars (devotees of Shiva) and
Alvars (devotees of Vishnu) were composing beautiful poetry in the Tamil
language as early as the sixth century.
In Bengal one of the greatest poets was
Chaitanya (1485-1536), who spent much of his life in a state of mystical
ecstasy.
One of the greatest North Indian saints was Kabir (ca. 1440-1518), a
common leatherworker who stressed faith in God without devotion to images,
rituals, or scriptures.
Among female poets, Princess Mirabai (ca. 1498-1546)
from Rajasthan stands out as one whose love for Krishna was so intense that she
suffered persecution for her public singing and dancing for the lord.
A recurring motif that emerges from the poetry and the hagiographies of these
saints is the equality of all men and women before God and the ability of people
from all castes and occupations to find their way to union with God if they have
enough faith and devotion. In this sense, the bhakti tradition serves
as one of the equalizing forces in Indian society and culture.
this content is derived in part or whole from the
U.S. Library of Congress Country Studies